Wonder Woman 84 wasn’t a terrible movie, but it certainly wasn’t a good movie. To me the question I can’t figure out is who greenlit this movie. After coming off a tremendously successful movie and one of the best in the DC franchise, they settled on a plot of a guy who has a wish to turn himself into this wishstone, to grant wishes to as many people as he can without any particular rhyme or reason for doing so, and without a coherent explanation of what was in it for him? And he destroys the world in the process. Who are these people who thought this was a good idea? They took all of the fan excitement and anticipation of the first movie and wasted it on this? It’s little wonder that DC plays a distant second fiddle to the Marvel franchise.
There were elements that I liked about the movie. For instance, they had talented actors cast in the lead roles, but there were gigantic plot holes and believability issues in the movie, such as Wonder Woman on the fly thinking she could make things invisible because when she was a child, she was taught to make a cup invisible, and then, poof, she makes a fighter jet invisible. Oh, and they just manage to walk up to this jet and fly off on it, so apparently fighter jets are completely unguarded and unprotected in the world of this movie, and a World War 1 pilot has absolutely no issue figuring out how to fly a modern military jet. I’m sure they are exactly the same thing. I could give you a dozen examples of this type of ridiculousness in the movie. And where was the eighties music and references? The movie is Wonder Woman 84 but other than a group of people breakdancing, you would have no idea it was set in the eighties. I wouldn’t say to avoid watching this movie, but keep your expectations low.
Each novel in this series by Dale Lucas is wonderfully written, shows great imagination, and stands alone. Raise your hand if you can say that about other fantasy series. Missing are dragons and the fate of the world in the balance. Not there is anything wrong with that. But I love how the author has narrowed the scope and stakes, yet has still created a wonderfully compelling read and a story world that I would return to over and over again. These books are just enjoyable to read.
I am not sure if this ends the series or not, but there still seems to be more stories that could be told in this world. In this novel, Rem and Torval must transport a famous bandit called the Red Raven to the kingdom where he is wanted in order to claim their substantial reward. But nothing is at seems when the Red Raven appears to have an intimate relationship with the woman who is supposed to marry the Duke who has authorized the capture of the Red Raven. Rem and Torval now find themselves in a struggle that has wider ramifications and have to decide on what side they stand on.
There is lots of good action and intrigue in this novel. There is also strong characterization as you go throughout the cast of characters, something that is not easy to achieve beyond a few of the major characters, but the author skillfully navigates this. The action builds to a strong climax, and the ending is satisfying. If you enjoy fantasy and haven’t yet checked out Dale Lucas, then you should.
I thoroughly enjoyed the first novel in this trilogy. Despite the high bar, Friendly Fire, did not disappoint. Much like the first novel, the world building and characters are superb. That’s not to short change the overall quality of the writing and the dialogue, which are also top notch. The biggest difference between the two novels is that Friendly Fire was far more steeped in dwarven lore than its predecessor and magic was more tied to this novel. There was good character development as well. Rem moved toward being able to reveal his past, and Torval’s character was explored in far greater depth.
I like the use of the Kothrum in this novel, a demonic entity in dwarven lore that is called upon to seek vengeance that Rem and Torval eventually have to take down. The other thing that was particularly compelling was the racial turbulence between the dwarves and the human stonemasons. What I liked is that the author wasn’t heavy handed. There was no side that was clearly in the right or clearly in the wrong. Instead, they each have good people and bad people, and they each have their own points they made that were valid. That’s the way it should work in the real world but seldomly seems to. Even the villains in this novel generally weren’t real villains with a couple of exceptions.
This was a fun novel. I highly recommend it and look forward to completing the trilogy.
My seventh novel, Beyond the Shadow, a supernatural thriller is out now on Amazon. Here is a preview of the novel.
- I found the first novel in your Fifth Ward series to be a refreshing departure from a typical epic fantasy novel. What made you decide to go in that direction?
Frustration, mostly (he says with a chuckle). When I first set out to write fantasy, it was in an epic vein, but I could never find the right human story inside all the epic-ness to justify the sprawling size of the tale I wanted to tell. In subsequent (and still unpublished) books, I tried melding fantasy elements with real history. I was really proud of those books, but they didn’t seem to land with editors (though one came very, very close at a small press publisher).
I landed on the premise for The Fifth Ward almost by accident, because I had cop-buddy movies on the brain and was basically cycling through all sorts of interesting settings, and there it was: a cop-buddy story in a fantasy city. It didn’t even instantly strike me as ‘the one’ but after a couple weeks, I realized the idea wouldn’t leave me alone, so I ran with it.
I was just trying to come up with something that excited me, that had some real publication potential, and that wouldn’t allow me to get sucked down a deep rabbit hole of research and world-building (which I tend to do). That simple notion of a buddy-cop story in a semi-familiar, pre-industrial fantasy world just seemed like a real untapped well in terms of fun storytelling possibilities at a real, human scale. As it turned out, it was.
- Who has been your biggest influence as a writer?
Just based upon prevalence, Stephen King. My entire adolescent reading life was dominated by King’s work, and right up until about the age of 20 or so, I would’ve called him my favorite writer without hesitation. I eventually branched out and collected a number of other favorites and notable influences, but King was there first and laid the groundwork, so he wins.
- Why did you decide to pair a human and a dwarf as pseudo police officers as your two main protagonists in your Fifth Ward series?
I knew right away I wanted to use the classic fantasy races simply so I could comment upon everyone’s assumptions about those races. Knowing that, it was just a matter of trying out the pairings in my head. For some reason, human/dwarf just stuck. Before that time, I’d never cared much for dwarves in fantasy, but through Torval, I’ve come to really love them. I think some of the work I did in Friendly Fire (the second book) about dwarven culture and Torval’s relationship to it is some of my best character work, ever.
- Who is your favorite writer?
That’s nearly impossible to answer, there are so many. I already mentioned Stephen King, who still looms large, but in recent years, horror writers like Laird Barron and Gemma Files are my superstars. Tim Powers influenced me heavily when I discovered and devoured his work. I still aspire to the level of artistry and grounded, human insight on display in Ursula K. LeGuin’s work. For crime fiction, I love hardcore, pessimistic noir guys like Jim Thompson and James Ellroy. In more literary moods, Cormac McCarthy, Flannery O’Connor and Joseph Conrad.
See? What is that, 10 ‘favorites’?
- Magic was not at the forefront of Fifth Ward: First Watch. Why was that more in the background of the novel?
That was just the kind of story I sought to tell. I wanted magic present in their world, and I brainstormed a number of stories where it would play a more integral role (see Book 2), but ultimately, I just felt like I was after something more grounded and relatable.
- What current writing projects are you working on?
Last year, I wrote a Warhammer: Age of Sigmar tie-in novel called Realm-Lords that will be out later this year, and I’ve just commenced work on another novel for them that’ll probably be out next year.
I also just finished the first draft of a new, original horror novel set in the 1920s involving gangsters, apocalyptic cultists and a vampire. That one’s still pretty shaggy, though, so it needs work before it’ll get out in the world. Hopefully, by next spring, that’ll be squared away and ready for shopping to publishers.
- Did you start off with the intention of making Fifth Ward a trilogy or did it involve into one?
I saw it as an open-ended series, where each book could more or less stand alone—aside from internal continuity involving the characters’ own evolutions. Orbit contracted me for three. As yet, there are no plans for more, but I’d certainly love to return to that world. My hope, when starting, was to follow Rem and Torval through a couple decades of friendship and trials, so we’ve still got a long way to go to fulfill that.
- What type of scenes do you most enjoy writing?
Probably scenes of suspense or weirdness: where a character either realizes something’s not right and has to figure out what it is, or where we’re ramping up to a big confrontation. I think the mechanics of writing scenes of that sort are so specific and fine-tuned, I love the challenge inherent in them.
Also, scenes where the humanity of the characters really shines through: moments where lovers bare their hearts, moments where one friend admits a sin or a shameful incident to another. People being vulnerable and revealing things. I know that’s not what people really sign on for with a fun, fasty-paced fantasy read, but I think it’s the presence of those moments, between the action and wonder, that really give a story its heart and soul.
- What is your best quality as a writer?
Three things: stubborn dedication to my work, consistent output, and a desire to constantly improve. Whatever else I may accomplish or not, I’m pretty proud of those three.
- If Hollywood was making a film adaptation of The Fifth Ward, and the director asked you to cast the roles of Rem and Torval, who would you choose?
When I was writing, it was Eddie Redmayne and Ray Winstone in my head. Ray Winstone just has the coolest face, the coolest, craggy voice, and the most wonderful look of combined mischief and menace in those beady eyes of his, and the ability to be both dangerous and endearing. He’s Torval, through and through. Since that was five or six years ago, though, I might now say someone like Richard Madden (Robb Stark on Game of Thrones) for Rem, and maybe Dave Baustista as Torval. Baustista’s got a lot of heart and soul behind his enormous physique, not to mention great comic timing, so I think it’d be awesome to see him play a character that’s only four and half feet tall.
This novel was so different from any epic fantasy novel I have ever read. It was refreshing to read a novel that featured orcs, dwarves, and elves but didn’t involve some massive quest with the fate of the world at stake. That’s the blueprint of the overwhelming majority of epic fantasy, and although that’s enjoyable to read, this offered something unique and interesting. The premise follows Rem and Torval, two members of what amounts to the police force of the city. They stumble into a major crime spree involving important members of their city.
Beyond the premise, the execution of this novel was top notch. The writing was strong with some modernization and grittiness in the language that reflected the hardboiled crime story involved. The characterization was top notch, both with Rem and Torval as well as some of the side characters. I read a great many thrillers, and the plot unfolded in a well thought out manner with suspense but without plot holes and gaps in logic. I really don’t even have anything to quibble about. The length was about right for the story, and there was not a massive bloated backstory or unnecessary writing that often plagues the genre.
This is a novel I recommend and look forward to reading the remaining novels in the series.